![]() ![]() Jump scares can certainly make people scared in the moment, but it's sort of a fleeting fear. I grew up with the old-timey Hammer and Universal horror movies which focus more on creating a scary mood, so I prefer movies that gradually scare the audience with eerie atmosphere. JI: For movies, I think you're right in that a lot of modern movies take the approach of shocking the audience with things like jump scares. ![]() ![]() How do you feel about the "shock" scare tactic? In the modern version of horror, jump scares are everywhere. ![]() JI: Magazines and books don't sell as well as they used to. How has the manga industry changed since you first started? Frankenstein: Junji Ito Story Collection (2,066) Kindle Edition 11.99 Venus in the Blind Spot (Junji Ito Book 0) Junji Ito 2,641 Kindle Edition 1 offer from 11.99 Uzumaki (3-in-1 Deluxe Edition) (Junji Ito) Junji Ito 17,143 Hardcover 72 offers from 12.57 Tomie: Complete Deluxe Edition (Junji Ito) Junji Ito 8,982 Hardcover 57 offers from 22. JI: My process is essentially the same as when I did it analog, but Sumi Beta (black inking) and pasting screentones can be done so much faster digitally. How has your process changed in the digital age? JI: It depends on the content of the drawing, but maybe two days for time-consuming ones. How long does it take you to draw a page? JI: I've gotten inspiration from all sorts of different things that I've seen and heard, including photos of dead bodies. Where do these terrifying images come from? A scene from Junji ito's Frankenstein Viz Media ![]()
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